The disorder of memories and how they are manifested and provoked through cinematographic practice, emerge in an arbitrary way, called by the movement of past, present and future. The author’s immigration is the excuse for connecting with ancestors who migrated under completely opposite conditions. The body as a camera, the film as a stage for reflection, the gaze as a form of living.

• Sektion Section: Campus
• Programm Programme: Studiengang Künstlerische Forschung in und mit Film